Cookies are small files that are installed in the computer’s hard disk or in the browser of the computer, tablet, smartphone or equivalent device with Internet browsing functions help, among other things, to: personalise the website owner’s services, use it to facilitate browsing and usability, obtain aggregate information about the visitors to the website, to make it possible to reproduce and view the multimedia content on the website itself, allow elements of interaction between the user and the website itself, enable security tools, etc.
–Datum: This is the information obtained by means of the user’s computer terminal through the data storage and recovery device (cookies or others). The datum shall be personal when it is information about identified or identifiable natural personals, in the terms set out in article 4 of the GDPR.
–Aggregate information: non-nominal information, typically numerical and to provide statistical information.
–Computer terminal: It is the device from which the user accesses the service, such as a personal computer, a mobile telephone, a tablet, etc., and from which information is obtained.
–Publisher: the party responsible for or the owner of the website.
–Third party: an external entity, collaborator, provider of services or related to the publisher, who participates in managing some cookies.
–Cookie controller: the publisher, data controller, owner of the website or even the third party in some cases.
–Browsing habits: trends shown by the user when browsing a website, such as the time they spend on the page, the parts they visit, most frequent sections, the origin of the visit, destination of the visit, among others.
Depending upon the entity managing them:
–Own cookies: These are sent to the user’s computer terminal from a computer or domain that is managed by the editor itself and from which the service requested by the user is provided.
–Third-party cookies: These are sent to the user’s terminal equipment from a computer or domain which is not managed by the editor, but by another entity that processes the data obtained through the cookies.
According to the length of time that cookies remain active on a computer terminal:
–Session cookies: those designed to collect and store data when the user is accessing a web page. They are usually used to store information that is only to be preserved for the provision of a service requested by the user on a single occasion (such as a list of purchased products) and they disappear when the session ends.
–Persistent cookies: those in which the data remains stored in the terminal, and can be accessed and processed during a period defined by the cookie’s data controller, which can range from a few minutes to several years.
Depending on the purpose for which the data obtained via the cookies is processed:
–Technical cookies: those that allow the user to browse a website, platform or application and to use the various options or services existing therein, including those the publisher uses to allow the management and operation of the website and to enable its functions and services, such as controlling traffic and data communication, identifying the session, accessing restricted-access parts, remembering the elements that make up an order, undertaking the purchase process for an order, managing the payment, controlling fraud related to the security of the service, making the request for registration or participation in an event, counting visits for the purposes of invoicing licences for the software with which the service operates (website, platform or application), using security elements during the browsing, storing content for the dissemination of videos or sound, enabling dynamic content (for example, animation of loading of a text or image) or sharing content through social networks. Also belonging to this category, due to their technical nature, are those cookies allowing for the management, in the most efficient way possible, of the advertising spaces which, as another element of design or “layout” of the service offered to the user, the publisher may have included in a website, application or platform based on criteria such as the published content, without information being compiled about the users for other purposes, such as personalising that advertising content or other content.
–Preference or personalisation cookies: they are those that make it possible to remember information so that the user accesses the service with certain characteristics that can differentiate their experience from that of other users, such as the language, the number of results to be shown when the user makes a search, the appearance or content of the service according to the type of browser through which the user accesses the service or on the region from which the service is accessed, etc. .
–Analysis or measurement cookies: those that all the data controller thereof to monitor and analyse the behaviour of the users of the websites to which they are linked, including quantification of the impact of the advertisements. The information collected by this type of cookie is used to measure the activity of websites, applications or platforms, in order to make improvements according to the analysis of the usage data made by the users of the service.
–Advertising cookies: those that allow the management, in the most efficient way possible, of the advertising space that, where appropriate, that the editor has included in a web page, application or platform from which it provides the requested service based on criteria such as edited content or the frequency at which ads are displayed.
–Behavioural advertising cookies: those that allow the management, in the most effective way possible, of the advertising spaces that, where appropriate, the publisher may have included on a website, application or platform from which it provides the requested service. These cookies store information on the behaviour of users obtained through the continuous observation of their browsing habits, which allows for the development of a specific profile to then display advertising.
Blockage or deactivation of all cookies helps to protect privacy, but it may also limit the experience on some websites, as well as limiting functionalities or even not allow proper browsing or use of some of its services.
Likewise, if you want to know how to deactivate the cookies on the most popular web browsers, access the following tutorials:
If you have a question or query about this Cookies Policy, you can get in touch with us through the means of contact on our website.
Con una técnica asombrosa, una expresión musical que impresionó inmediatamente a la crítica y un timbre de una calidez eminentemente latina, Juan Sancho se ha consolidado como uno de los tenores más solicitados de la escena operística internacional.
Nacido en Sevilla, comenzó su formación como pianista, pero pronto se apasionó por el canto, estudiando con Lambert Climent y Monsterrat Figueras en la Escuela Superior de Música de Cataluña, en Barcelona.
Pronto trabajó con directores como Michel Corboz, William Christie, Gustav Leonhardt, Fabio Biondi, Jordi Savall, Diego Fasolis, Marc Minkowski, Andrea Marcon, Richard Egarr, Christian Curnyn, Ivor Bolton, George Petrou, Leonardo García Alarcón, Riccardo Minasi, Hervé Niquet, Jan Tomasz Adamus, Václav Luks, y, por supuesto, el difunto Alan Curtis.
La carrera internacional de Juan le ha llevado a los teatros y salas más importantes del mundo.
Reconocido como uno de los mejores especialistas en Haendel de su generación gracias a su virtuosismo infalible, Juan Sancho ha interpretado Lurcanio (Ariodante) en la Ópera de Lausana, Grimoaldo (Rodelinda) en la English National Opera, Teatro Real Madrid y Théâtre des Champs-Élysées de París, y Oronte (Alcina) en los teatros Bolshoi y de Lausana, Bajazet (Tamerlano) en Madrid, Tempo (Il Trionfo del Tempo e del Disinganno) en Moscú, Sesto (Giulio Cesare) en Basilea y Madrid, el papel principal de Belsasar en Gotinga bajo la dirección de Václav Luks con Concerto Köln, Emilio (Partenope) en una producción de Ivor Bolton/Christopher Alden en el Teatro Real de Madrid.
Los otros gigantes del barroco encuentran en Juan Sancho un intérprete no menos notable.
Ha interpretado Giustino (Vitaliano) de Vivaldi con George Petrou en el Festival de Ópera de Drottningholm, Idalma (Celindo) de Pasquini bajo la dirección de Alessandro De Marchi en el Festival de Innsbruck, y L’Incoronazione di Poppea de Monteverdi (Arnalta/Lucano) en el Teatro Colón de Buenos Aires bajo la batuta de Jean-Christophe Spinosi.
También ha interpretado la Pasión de San Mateo de Bach con Jordi Savall en el Auditori de Barcelona, la Chapelle Royale de Versailles y la Philharmonie de París.
En música posterior, Juan Sancho explora con maestría el repertorio belcantista, especialmente Rossini: ha encarnado así Albazar (Il Turco in Italia) en el Festival de Aix-en-Provence con Marc Minkowski (retransmitido por ARTE) y en la Ópera de Dijon junto a Antonello Allemandi ; Lindoro (L’Italiana in Algeri) bajo la dirección de Jean-Christophe Spinosi ; Almaviva (Il Barbiere di Siviglia) en el Staatstheater Darmstadt. Mencionemos también una Gala Rossini bajo la batuta de Sebastiano Rolli para el Megaron de Atenas.
Su extensa discografía incluye Artaserse de Leonardo Vinci (Erato CD y DVD), Virtù dei strali d’Amore de Cavalli con Fabio Biondi (Naxos), Trilogía de Monteverdi en el Teatro Real dirigida por William Christie y Les Arts Florissants (Dynamics y Virgin). Para el sello Decca, Juan ha grabado Catone in Utica de Leonardo Vinci (papel principal), Germanico in Germania de Porpora, Adriano in Siria de Pergolesi, Siroe re di Persia de Hasse, Arminio de Haendel y Alessandro.
Ha publicado dos CD dedicados a Haendel: el álbum en solitario Seven Deadly Sins (Enchiriadis) y el álbum Human Love, Love Divine con Nuria Rial (Deutsche Harmonia Mundi).
El sello I Gemelli acaba de publicar el último álbum de Juan Sancho, Love Songs, está dedicado al repertorio del Siglo de Oro español. Le acompaña el excelente guitarrista Miguel Rincón.
Entre los compromisos para la temporada 2022-23, Juan Sancho interpretará el papel de Nearco en Aquiles en Sciro, de Francesco Corselli en la nueva producción de Mariame Clement dirigida por Ivor Bolton en el Teatro Real en Madrid.
También interpretará el papel principal en Orphée et Eurydice de Gluck con Jan Tomasz Adamus y la Capella Cracoviensis en el Theater Biel Solothurn.
Terminará su temporada en Potsdam en junio bajo la dirección de Alessandro de Marchi para la premiere de Idalma de Pasquini (Celindo), dirigida por Alessandra Premoli.
With a stunning technique, a musical expression that immediately impressed the critics, and a timbre with an eminently Latin warmth, Juan Sancho has established himself as one of the most sought-after tenors on the international opera stage.
Born in Seville, he began his training as a pianist, but soon developed a passion for singing, studying with Lambert Climent and Monsterrat Figueras at the Escola Superior de Música de Catalunya in Barcelona.
He soon worked with conductors such as Michel Corboz, William Christie, Gustav Leonhardt, Fabio Biondi, Jordi Savall, Diego Fasolis, Marc Minkowski, Andrea Marcon, Richard Egarr, Christian Curnyn, Ivor Bolton, George Petrou, Leonardo García Alarcón, Riccardo Minasi, Hervé Niquet, Jan Tomasz Adamus, Václav Luks, and of course the late Alan Curtis.
Juan’s international career has taken him to the most important theaters and halls in the world.
Recognized as one of the best Handel specialists of his generation thanks to his unfailing virtuosity, Juan Sancho has performed Lurcanio (Ariodante) at Lausanne Opera, Grimoaldo (Rodelinda) at English National Opera, Teatro Real Madrid and Théâtre des Champs-Élysées in Paris, and Oronte (Alcina) at Bolshoi and Lausanne theatres, Bajazet (Tamerlano) in Madrid, Tempo (Il Trionfo del Tempo e del Disinganno) in Moscow, Sesto (Giulio Cesare) in Basel and Madrid, the title role of Belshazzar in Göttingen under the conducting of Václav Luks with Concerto Köln, Emilio (Partenope) in an Ivor Bolton/Christopher Alden production at Teatro Real in Madrid.
The other giants of the baroque period find in Juan Sancho a no less remarkable interpreter.
He performed Vivaldi’s Giustino (Vitaliano) with George Petrou at Drottningholm Opera Festival, Pasquini’s Idalma (Celindo) under the direction of Alessandro De Marchi at Innsbruck Festival, and Monteverdi’s L’Incoronazione di Poppea (Arnalta/Lucano) at Teatro Colón in Buenos Aires under the baton of Jean-Christophe Spinosi.
He has also performed Bach’s St. Matthew Passion with Jordi Savall at the Auditori of Barcelona, the Chapelle Royale de Versailles and Philharmonie of Paris.
In later music, Juan Sancho explores with mastery the bel canto repertoire, especially Rossini: he has thus embodied Albazar (Il Turco in Italia) at the Festival of Aix-en-Provence with Marc Minkowski (broadcast by ARTE) and at Dijon Opera alongside Antonello Allemandi ; Lindoro (L’Italiana in Algeri) conducted by Jean-Christophe Spinosi ; Almaviva (Il Barbiere di Siviglia) at Staatstheater Darmstadt. Let us also mention a Rossini Gala under the baton of Sebastiano Rolli for the Megaron of Athens.
His extensive discography includes Leonardo Vinci’s Artaserse (Erato CD and DVD), Cavalli’s Virtù dei strali d’Amore with Fabio Biondi (Naxos), Monteverdi’s Trilogy at the Teatro Real conducted by William Christie and Les Arts Florissants (Dynamics and Virgin). For the Decca label, Juan has recorded Leonardo Vinci’s Catone in Utica (title role), Porpora’s Germanico in Germania, Pergolesi’s Adriano in Siria, Hasse’s Siroe re di Persia, Handel’s Arminio and Alessandro.
He has published two CDs dedicated to Handel: the solo album Seven Deadly Sins (Enchiriadis) and the album Human Love, Love Divine with Nuria Rial (Deutsche Harmonia Mundi).
The label I Gemelli has just released Juan Sancho’s latest album Love Songs, dedicated to the repertoire of the Spanish Golden Age. He is accompanied by the excellent guitarist Miguel Rincon.
Among the engagements for the 2022-23 season, Juan Sancho will perform the role of Nearco in Francesco Corselli’s Achilles in Sciro in the new production by Mariame Clement conducted by Ivor Bolton at the Teatro Real in Madrid. He will also take on the title role in Gluck’s Orphée et Eurydice with Jan Tomasz Adamus and the Capella Cracoviensis at Theater Biel Solothurn. He will end his season in Potsdam in June under the direction of Alessandro de Marchi for the premiere of Pasquini’s Idalma (Celindo), directed by Alessandra Premoli.